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COMING
HOME is
packed in a sweating rail road car rumbling
and swaying, until
doors open, people
burst out like
silken seeds from milkweed pods floating
lightly over chokeberry and
tall grass, to fall on
commuter tracks. When
a train speeds through, seeds
scatter in light clouds settling
on nearby fields and a lawn where
his three-year-old in
a loose blue dress stamps
her bare feet in a puddle avoiding
dead worms, bleached white. She
runs across the wet lawn giggling—fine
grass and water drops
tickling her feet, sees
the front door ajar, squeezes
into the living room where
her mother scoops her
off the beige carpet into
the bathroom, depositing her into
the warm tub packed
with rubber ducks, a
frog spurting water, and bubbles floating
like milk froth. The
man, his face white with
fatigue, bursts through
the front door, “I’m
home.” |